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Roberto Sirvent, BAR Book Forum Editor
In this series, we ask acclaimed authors to answer five questions about their book.
Wolfgang Bronner
The spectacle of major sporting events does not simply distract from a city's crackdown on the working class.
Editors, The Black Agenda Review
“Racists don’t give up easily, we learned, and the racists in sports are especially dedicated.”
Roberto Sirvent, BAR Book Forum Editor
In this series, we ask acclaimed authors to answer five questions about their book.
Raymond Nat Turner, BAR poet-in-residence
The Karma of Kap or
curse of capitalism??
Gus Griffin
Michael Oher’s story of exploitation is even worse than the white savior narrative presented by Hollywood.
Gus Griffin
Whether Super Bowl quarterbacks, or presidents, or police chiefs, unquestioned admiration of the "first Black" should come to an end.
Roberto Sirvent, BAR Book Forum Editor
In this feature, we interview organizers, journalists, scholars, and athletes working at the intersection of sports and Black struggle.
Roberto Sirvent, BAR Book Forum Editor
In this feature, we interview organizers, journalists, scholars, and athletes working at the intersection of sports and Black struggle.
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- Roberto Sirvent, BAR Book Forum EditorThis book challenges the myth that 1994 was the turning point in South Africa -- because the liberation process is unfinished.
- Dr. Kweli NzitoThe craven fear of truth in imperial zones, bordering on psychopathic dread, has sustained systemic racism and hegemonic power domestically and globally.
- Sara AbbasThe not-yet-triumphant Sudan popular uprising was both sophisticated and thorough; it tried to learn from past mistakes and internalize lessons from revolutions of the first wave and elsewhere.
- Franklin FrederickThe Cuban Revolution has shown that when limited resources are distributed equitably and with an emphasis on people and prevention, public health outcomes previously unimaginable can be achieved.
- Dr. David PleasantSavannah is is trying to create a renaissance of profit with live bodies portraying Gullah Geechee, enslaved Africans or immigrant indentures plodding through a mod-gothic spook show.