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From photos of lynchers to videos of brutal cops, there is a radical heritage of using images of violence as instruments of critique.
Viewing musicians as exploited workers and as beleaguered contractors helps contribute to a better understanding of their art form and art more gen
Black people in the US may not like white people, for good reason, but lack the power to construct an anti-white racism.
In the Age of Trump, it could be said that all interpreters of Jefferson and US History have their own “alternative facts.”
U.S. police agencies, including the FBI, are incapable of mounting an effective offensive against their soul mates in the armed white right.
The partisan condemnation of white supremacy that has taken shape during the Trump era has reduced anti-racist critique to political theater.
Where most people see a “lone shooter,” the armed White Power movement sees “leaderless resistance.”
A truly radical counterhegemony can only be realized by disassociating both blackness and manhood from capitalist registers of worth.
The “squad” condemns Trump for his white nationalism, not understanding that as a white supremacist settler-colonial state, white nationalism i
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Hapless Joe has always failed in his presidential bids, but is hyped as supremely “electable” this time around because Democratic elites fear and loath Bernie Sanders.
Self-determination is still an unknown concept to many despite the efforts of the movement for Black lives and related organizations.
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Older Black voters appear to buy into the idea of Biden’s “electability,” a farce engineered by Democratic elites that is likely to give us four more years of Trump.
Slick Willy swears he only took four flights and gorged himself on peanut butter and jelly Sandwiches—take off to landing…
