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Mae Jackson is a New York City based writer, poet, dreamer and doer whose record of activism on behalf of her people stretches back to SNCC. A founder of Art Without Walls, an art program for the children of imprisoned women, she is well acquainted with the difference between surface change, and fundamental, revolutionary change.
Here are a few minutes of her address to the crowd at May 31, 2009 event memorializing the early 20th century Harlem activist Hubert Harrison, in which she lays out a clear understanding of whose lips move when our First Black President speaks. Referring to some of Barack Obama's widely acclaimed orations at the Democratic convention, atop Lincoln's tomb, and other places, she tells us
“..those wonderful speeches made by the young man from Chicago were actually crafted, that's written, by three young white men 25, 26 and 31 years old. We got the unfortunate opportunity once again to see the world through their eyes. Obama was the spokesperson. Same as when you buy a painting, that doesn't make you the painter...”
She explains how the establishment turned took the politics out of activism, neutralizing and de-politicizing young political activists by turning them into “community organizers."
A 1930 essay by Black activist Hermina Dumont Huiswood tells of the bold resistance of the Haitian population to U.S. occupation, and offers hope for the resistance to come in 2024.
African Stream is an anti-war, anti-imperialist video and text website based in Nairobi, Kenya. Ann Garrison spoke to its founder, Ahmed Kaballo.
"When bagman Vigor Moribund came to town" is the latest from BAR's Poet-in-Residence.
Book Forum Editor, Roberto Sirvent, interviews Onyesonwu Chatoyer about her political organizing and work as a writer and editor.
New York Democrats are fueling the panic over a fictional crime wave to increase surveillance and police presence in NYC.
