The US film industry is more open to Black themes and participation than in the past, but still has not answered the question of what kind of society it will project, said Maryann Erigha, a professor of sociology and African American Studies at the University of Georgia, and author of the new book, “The Hollywood Jim Crow: Racial Politics of the Movie Industry.” “Is it a sanitized whiteness, is it a whitewashed vision, or can we have this unapologetic Blackness, and that just be part of the American cultural canon?”
Everybody’s wild ‘bout this ‘new’ dance craze— this lewd, crude dance called “The 1st 100 Daze…” Here come Ol’ Blak Schmo and Ladee Blu— listen up—they’re gonna teach it to you:
It is more imperative than ever to reduce the funding, power, weaponry, and reach of law enforcement agencies that are committed to protecting a white supremacist status quo.
The purpose of policing––to jail and kill Black folks––remains the same regardless of the officers’ race.
This week our readers talked about the weakness of the U.S. left, the storming of the Capitol, and the crisis of U.S. imperialism.
Activist youth who weave deep histories of resistance together with anarchist, autonomous, and decolonial politics and urban culture.
