by Raymond Nat Turner
Bomb 'em to stone man
Free-fire zone man
Jim Jones man
Villain called Drone Man
Wrong Song In The Key Of Death
(Call The Villain)
by Raymond Nat Turner
Flaming grooves burning lard off
Drumsticks and gyrating boo-tays;
Lush chords working their ways
Through Jazz clubs and churches;
Melodies reeling ribbons in from
The sky---Genius of the giant,
Master Blaster, Sir Duke of our times!
But picking politicians,Stevie's either a
Dupe, dope, dunce or dilettante played
By star-spangled charlatans---corporatists
Cloaked in Populist cotton, like Chippendale
Dancers wearing suicide vests, Senors signed,
Sealed and delivered to celebrity-worshipers by the 1%:
Like a relatively unknown man
A hugely overblown man
A corporate grown man
Political clone man
Like a Skull & Bone man
A Rhine-stone man
Testosterone man
Bellicose tone man
Bomb 'em to stone man
Free-fire zone man
Jim Jones man
Villain called Drone Man
Call the villain Drone Man
Call the villain Drone Man...
Raymond Nat Turner (c) 2012 All Rights Reserved
The U.S. departure from Afghanistan is a victory against imperialism.
Frantz Fanon’s influence on Paulo Freire’s thought is well known, but the Brazilian educator also drew considerably from AmĂlcar Cabral, the revolutionary intellectual from Guinea-Bissau.
Census data show that gentrification is accelerating Black displacement.
Cold War and War on Terror destabilize Somalia and cause great suffering for its people.
In 1976, prisoners in the United States Penitentiary at Marion, Illinois wrote a collective document explaining the status of the prisoner within the prison—and the role of the prison
