by Raymond Nat Turner
Bomb 'em to stone man
Free-fire zone man
Jim Jones man
Villain called Drone Man
Wrong Song In The Key Of Death
(Call The Villain)
by Raymond Nat Turner
Flaming grooves burning lard off
Drumsticks and gyrating boo-tays;
Lush chords working their ways
Through Jazz clubs and churches;
Melodies reeling ribbons in from
The sky---Genius of the giant,
Master Blaster, Sir Duke of our times!
But picking politicians,Stevie's either a
Dupe, dope, dunce or dilettante played
By star-spangled charlatans---corporatists
Cloaked in Populist cotton, like Chippendale
Dancers wearing suicide vests, Senors signed,
Sealed and delivered to celebrity-worshipers by the 1%:
Like a relatively unknown man
A hugely overblown man
A corporate grown man
Political clone man
Like a Skull & Bone man
A Rhine-stone man
Testosterone man
Bellicose tone man
Bomb 'em to stone man
Free-fire zone man
Jim Jones man
Villain called Drone Man
Call the villain Drone Man
Call the villain Drone Man...
Raymond Nat Turner (c) 2012 All Rights Reserved
The horrific ordeal that was inflicted on five Harlem teenagers by a criminal justice and corporate media lynch mob in 1989, has come back to haunt the former lead prosecutor, Linda Fairstein,
The Black Church spawned militant resistance to white supremacy as well as a politics of accommodation to white rule.
Following up a yearlong, citywide study of the works of WEB Dubois, the Philadelphia Saturday Free School kicks off “The Year of Gandhi,” June 14 and 15, at the Church of the Advocate.
The premier organization pushing for Black reparations holds its 30th annual convention, June 20 – 23, in Detroit. HR 40, the House Reparations Study bill, now has a companion measure in the U.S.
