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Mae Jackson is a New York City based writer, poet, dreamer and doer whose record of activism on behalf of her people stretches back to SNCC. A founder of Art Without Walls, an art program for the children of imprisoned women, she is well acquainted with the difference between surface change, and fundamental, revolutionary change.
Here are a few minutes of her address to the crowd at May 31, 2009 event memorializing the early 20th century Harlem activist Hubert Harrison, in which she lays out a clear understanding of whose lips move when our First Black President speaks. Referring to some of Barack Obama's widely acclaimed orations at the Democratic convention, atop Lincoln's tomb, and other places, she tells us
“..those wonderful speeches made by the young man from Chicago were actually crafted, that's written, by three young white men 25, 26 and 31 years old. We got the unfortunate opportunity once again to see the world through their eyes. Obama was the spokesperson. Same as when you buy a painting, that doesn't make you the painter...”
She explains how the establishment turned took the politics out of activism, neutralizing and de-politicizing young political activists by turning them into “community organizers."
Frank Chapman is Executive Director of the National Alliance Against Racist and Political Repression. That organization has led the fight for community control of the police, with the creation of the…
In the September 23, 2022 segment of Black Agenda Radio we discussed the case of Tracy McCarter. The New York City nurse was charged with murder as she attempted to defend herself from her violent…
A new Black "first" came along at the same moment that the Democratic Party showed itself to be a servant of the ruling classes. Hakeem Jeffries is a very willing tool of powerful people. There is no…
What role did labor play in the 2004 coup in Haiti? A 2008 essay illuminates the convergence of labor politics, neoliberal policy, and imperial malfeasance.
Unbelievable
