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Mae Jackson is a New York City based writer, poet, dreamer and doer whose record of activism on behalf of her people stretches back to SNCC. A founder of Art Without Walls, an art program for the children of imprisoned women, she is well acquainted with the difference between surface change, and fundamental, revolutionary change.
Here are a few minutes of her address to the crowd at May 31, 2009 event memorializing the early 20th century Harlem activist Hubert Harrison, in which she lays out a clear understanding of whose lips move when our First Black President speaks. Referring to some of Barack Obama's widely acclaimed orations at the Democratic convention, atop Lincoln's tomb, and other places, she tells us
“..those wonderful speeches made by the young man from Chicago were actually crafted, that's written, by three young white men 25, 26 and 31 years old. We got the unfortunate opportunity once again to see the world through their eyes. Obama was the spokesperson. Same as when you buy a painting, that doesn't make you the painter...”
She explains how the establishment turned took the politics out of activism, neutralizing and de-politicizing young political activists by turning them into “community organizers."
The world as we know it must change. Humanity cannot survive under imperialist and capitalist structures.
This week’s featured author is Stacy J. Lettman. Lettman is an Assistant Professor of English at Florida Atlantic University. Her book is The Slave Sublime The Language of Violence in Caribbean…
This week’s featured author is Jean-Thomas Tremblay. Tremblay is Assistant Professor of Environmental Humanities in the Department of Humanities at York University. Their book is Breathing Aesthetics.
The multipolar world is a reality, but the U.S. is determined to assert itself as a unipolar hegemon and endanger the whole world in the process.
The call for "law and order" and strengthening police in Haiti is as dangerous as talk of any occupation. The police force is connected with Haitian oligarchs and their political puppets and is…
