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Mae Jackson is a New York City based writer, poet, dreamer and doer whose record of activism on behalf of her people stretches back to SNCC. A founder of Art Without Walls, an art program for the children of imprisoned women, she is well acquainted with the difference between surface change, and fundamental, revolutionary change.
Here are a few minutes of her address to the crowd at May 31, 2009 event memorializing the early 20th century Harlem activist Hubert Harrison, in which she lays out a clear understanding of whose lips move when our First Black President speaks. Referring to some of Barack Obama's widely acclaimed orations at the Democratic convention, atop Lincoln's tomb, and other places, she tells us
â..those wonderful speeches made by the young man from Chicago were actually crafted, that's written, by three young white men 25, 26 and 31 years old. We got the unfortunate opportunity once again to see the world through their eyes. Obama was the spokesperson. Same as when you buy a painting, that doesn't make you the painter...â
She explains how the establishment turned took the politics out of activism, neutralizing and de-politicizing young political activists by turning them into âcommunity organizers."
The story of Ward Al-Sheikh Khalil is a horrifying reminder of the human cost of Israelâs war on Gaza. As thousands of Palestinian children face death, the world must confront the devastatingâŚ
Fighting apartheid in the Dominican Republic is essential to achieving redress for people of African descent in that country.
Independent audit finds patterns of racial, pro-police bias in Marylandâs chief medical examinerâs office.
This fact sheet, put together by the Louisiana Workers Councils, explains how Trumpâs âbig beautifulâ budget bill cuts essential services and benefits for workers in order to give to the wealthy.
In this weekâs segment, we discuss the legacy of Malcolm X and the state of the political party that many Black people feel trapped in. We are joined by a guest in Libya who explains the lastingâŚ
