by BAR poet in residence Raymond Nat Turner
Ralph Pointer, husband of the recently deceased peoples lawyer and political prisoner Lynne Stewart is an accomplished freedom fighter in his own right. A respected elder, he is still with us, and BAR's poet in residence tells us a little about him.
When I Grow Up…
by BAR poet in residence Raymond Nat Turner
When I grow up I
wanna be bear hugs
and hundred watt smiles
for family, comrades and friends—
Easy to figure
out: come correct—
Or, not at all
When I grow up I
wanna be like the
keystone state son of
a Fighting Miner,
in major—music theory—
teaching poly-rhythmic
Resistance, asking:
“How do you keep the music playing,
How do you make it last?”
When I grow up I
wanna be like the
Quaker State son of
a Fighting Miner,
in major—allowing
Resistance and the
Organizer in
his DNA to
Lead the way, saying
Names of Political
Prisoners, Prisoners of War…
When I grow up I
wanna be like the
Warrior jousting
windmills in front of
the War House, Picketing
for the Love of his
Life—rain, sleet, or snow—
Or sauna; showing,
Not telling, the rulers,
“Let my Peoples’ Lawyer go!”
Ain’t that lovin’ you, baby?
When I grow up I
wanna be like the cat
not above crashing
in airports, to
Visit his Valentine
shackled to the 17th century,
deep in the heart of
a Texas torture chamber
When I grow up I
wanna be a spirit
singing,“Lonely teardrops,
My pillow’s never dry…
Lonely teardrops, come
Ho-oh-oh-oh-Om…”
When I grow up I
wanna be like the knight,
who in his eye’s glint,
Her name’s writ in flames…
Poet’s note: This is inspired by the life of Ralph Poynter…
Raymond Nat Turner © 2017 All Rights Reserved
Raymond Nat Turner is an acclaimed poet and performance artist. Find much more of his work at http://upsurgejazz.com.
Elias Amare is a journalist and editor at Horn of Africa TV.
Forrest Palmer is a native of Los Angeles, California who is now an electrical engineer residing in Houston, Texas
Margaret Kimberley was among the guests on Women Rising Radio Program 45: Resisting US Military Bases and Domination
The Black misleadership class are still up to their elbows in performative nonsense and class collaboration politics. They still act against the interests of Black people.
Revisiting Frances Beal’s Black feminist theoretical tour-de-force.
