Bird, strings, Big Chief: 100: Harlem (For Charlie Parker/Donald Harrison/Harlem Symphony Orchestra) | Black Agenda Report

Bird, strings, Big Chief: 100: Harlem (For Charlie Parker/Donald Harrison/Harlem Symphony Orchestra)

Raymond Nat Turner, BAR poet-in-residence

08 Sep 2021

🖨️ Print Article

Photo: Janine Robinson

Bird, strings, Big Chief: 100: Harlem

(For Charlie Parker/Donald Harrison/Harlem Symphony Orchestra)

Gathering witnesses bearing beautiful collisions—

Kansas City, New Orleans, Harlem—in Harlem. Only

Harlem fetes YardBird in Marcus Garvey Park. Only

Harlem has Big Easy Chief of Congo Nation do the

honors. It’s still a COVID 19 scene and Black masking’s

an act of communal resistance…

It’s still a COVID 19 scene and the virus’s variations

are playing “Giant Steps” within Monk’s complicated

compositions. It’s still a COVID 19 scene and greed

driven confederate governors are playing with lives;

Playing simple songs sounding like “Mississippi Hot-

dog”/“Twinkle Twinkle Little Stars and Bars…”

Spy Boys check Jazz Tribe temps and statuses.

They buy Big Chief time to procure and secure

Suspenders; adjust his invisible headdress and

prepare sacred songs for meeting The Peoples’ Tribe.

Charlie Parker’s music’s magic—Blues magnet gathering

grassroots, salt of the earth—Harlem’s finest—like

shavings of steel hardened by white heat and hammer

A drizzle decrescendos and morphs into the perfect

prelude, into micro climate mist—handing humidity a

rare defeat. The weather’s a bittersweet reminder of

Impermanence. Change—spiraling lower to higher—birth

to death; reminding us who are “Just Friends,” “Now’s

The Time” to connect—this evening’s the only time we own…

Older gentlemen—second wave Jitterbugs—with

muscle memory of Lindy Hop to Bebop honor the

Moment. They select skilled younger partners to

Swing, spin, twirl; showing off middle year bodies

more beautiful than perfect: cleavage, calves and

sculpted thighs revealed as colorful knee-high skirts rise

Maybe they couldn’t keep Malcolm alive or hold on to

Houses grandparents paid off. But tonight they hold

on to one another—hold on to Charlie Parker—Bird

with strings attached…

Former forklift driver/warehouse worker/janitor, Raymond Nat Turner is a NYC poet; BAR's Poet-in-Residence; and founder/co-leader of the jazz-poetry ensemble UpSurge!NYC. You can Vote for his work at:

GoFundMe: https://www.gofundme.com/f/the-town-criers-big-tooth-fund

PayPal: paypal.me/towncrierRNT

© 2021. Raymond Nat Turner, The Town Crier. All Rights Reserved.

Music

Do you need and appreciate Black Agenda Report articles? Please click on the DONATE icon, and help us out, if you can.

More Stories

Black Agenda Radio with Margaret Kimberley
Nicaragua Succeeds Despite U.S. Attacks
17 Feb 2023
The Central American nation of Nicaragua has been the focus of US interventionism ever since the Sandinista revolution which occurred in 1979.
Black Agenda Radio with Margaret Kimberley
Jihad Abdulmumit and the Peoples' Senate
17 Feb 2023
The upcoming introductory webinar of the Peoples' Senate will be held on Saturday, February 18.
Margaret Kimberley, BAR Executive Editor and Senior Columnist
Did the US Blow Up Nord Stream If There is No Media to Report It?
15 Feb 2023
A respected investigative journalist explains how the U.S. sabotaged the Nord Stream pipelines. But corporate media working in service to the state ignore the story and endanger the world.
Editors, The Black Agenda Review
INTERVIEW: A Voice from the Monster: Charlene Mitchell in Tricontinental, 1971
15 Feb 2023
A 1971 interview with the late Charlene Mitchell reminds us of both the need for Black radical struggle against capitalism, militarism, and racism, and the contradictions of inter-racial organizing…
Ajamu Baraka, BAR editor and columnist
Colombian Peace Caravan: Bringing the Hope of “Total Peace” to Afro-Colombian and Indigenous Territories
15 Feb 2023
Ajamu Baraka representing BAP’s Haiti/Americas Team was invited to serve as part of an international delegation on a historic “humanitarian Caravan” between January 17 and the 21st to the Indigenous…