The US film industry is more open to Black themes and participation than in the past, but still has not answered the question of what kind of society it will project, said Maryann Erigha, a professor of sociology and African American Studies at the University of Georgia, and author of the new book, “The Hollywood Jim Crow: Racial Politics of the Movie Industry.” “Is it a sanitized whiteness, is it a whitewashed vision, or can we have this unapologetic Blackness, and that just be part of the American cultural canon?”
The acrobats are back—riding bareback and backwards on Donkeys! They’re back juggling hocus-pocus focus groups; Back, spinning Wall Street straw into fools’ gold for the war-
The U.S. can never be reformed to render justice to its African residents. “Our struggle must have Africa at its core.”
Detroit’s wanton killing of hundreds of Blacks in the civil right era shows why most of today’s proposals to make police more accountable are bound to fail.
There was no way to make light of this daunting book and its effects on me, no matter how much I thought I knew it.
The author explores various social, political, and cultural sites that explore and highlight the Black pastoral experience.
