The US film industry is more open to Black themes and participation than in the past, but still has not answered the question of what kind of society it will project, said Maryann Erigha, a professor of sociology and African American Studies at the University of Georgia, and author of the new book, “The Hollywood Jim Crow: Racial Politics of the Movie Industry.” “Is it a sanitized whiteness, is it a whitewashed vision, or can we have this unapologetic Blackness, and that just be part of the American cultural canon?”
In the past year or two, the proposition of defunding or abolishing police and prisons has travelled from incarcerated-activist networks into mainstream conversations.
Biden promises popular progressive policies, then quietly reneges while the corporate press turns a blind eye and falls silent.
The corporate media is second only to the police in spreading falsehoods about the nation’s best known political prisoner.
“Disease poetics” has been part of global capitalism since its emergence.
Practitioners of the dark art of bigotry find a perfect camouflage behind impenetrable walls of denial to mask their wicked ways.
