The Supremes
Mary was mysterious,
but the best dancer
Diana, the magnetic,
cooing romancer—
But, here’s a secret I know:
cats like me dug Miss Flo—
And the 4th Supreme’s ‘fro!
The 4th Supreme came
Singing tones ‘tween
Douglass and Carmen McRae—
Malcolm X and Lady Day
The 4th Supreme came
Singing “Stop In The Name Of Love!”
by way of Brandeis/Bombing-ham—
hitting Dynamite Hill high notes
The 4th Supreme came
Singing “Reflections”
in silver bracelets, on a
Newsweek cover captioned:
“Red, Black and Wanted!”
Hoover hated her harmonies with millions…
But I heard, “Set me free, why don’t you, babe?”
Rocking me to “ …Try Something New:”
Dialectics…
The 4th Supreme came
Singing, “I Hear A Symphony—”
“No Matter What Sign You Are,”
in ’08—but I
forgive her and comrades
and friends for singing flat
Madison Avenue smash hits: “Yes,
we can and bottle Jim Jones Juice;”
“regime Change you can believe in—”
delivering “Nothing But Heartaches” to
Honduras, Libya, Syria, Mother Africa…
© 2018. Raymond Nat Turner, The Town Crier. All Rights Reserved.
Raymond Nat Turner, our poet in residence, is an accomplished performing artist. You can find much more of his work at http://upsurgejazz.com.
The critics want to wipe clear the actual history of racial oppression that is baked into the social and economic structures of the US.
The police as they exist today need to be abolished, there’s no question. “Diversity doesn’t change the fundamental dynamics of policing.”
Much of what is called the “left” still insists that the American “revolution” of 1776 is “unfinished,” when history shows that white supremacy was the intended result.
Most people contribute to injustice not as direct perpetrators but as indirect participants who enable, perpetuate, benefit from, and inherit histories of violence and contemporary systems of explo
The inhabitation of the un-gender-specific and “fungible” also mapped the affective grounds for imagining other qualities of life and being for those marked by and for captivity.
