The Supremes
Mary was mysterious,
but the best dancer
Diana, the magnetic,
cooing romancer—
But, here’s a secret I know:
cats like me dug Miss Flo—
And the 4th Supreme’s ‘fro!
The 4th Supreme came
Singing tones ‘tween
Douglass and Carmen McRae—
Malcolm X and Lady Day
The 4th Supreme came
Singing “Stop In The Name Of Love!”
by way of Brandeis/Bombing-ham—
hitting Dynamite Hill high notes
The 4th Supreme came
Singing “Reflections”
in silver bracelets, on a
Newsweek cover captioned:
“Red, Black and Wanted!”
Hoover hated her harmonies with millions…
But I heard, “Set me free, why don’t you, babe?”
Rocking me to “ …Try Something New:”
Dialectics…
The 4th Supreme came
Singing, “I Hear A Symphony—”
“No Matter What Sign You Are,”
in ’08—but I
forgive her and comrades
and friends for singing flat
Madison Avenue smash hits: “Yes,
we can and bottle Jim Jones Juice;”
“regime Change you can believe in—”
delivering “Nothing But Heartaches” to
Honduras, Libya, Syria, Mother Africa…
© 2018. Raymond Nat Turner, The Town Crier. All Rights Reserved.
Raymond Nat Turner, our poet in residence, is an accomplished performing artist. You can find much more of his work at http://upsurgejazz.com.
Millennial and Gen Z activists are aligning their struggles at home with the fights against US empire in the streets of Palestine, Haiti, Colombia, and other countries.
Myth of “Black Wall Street” is Deployed to Bolster Black Capitalism
The US confrontation with China is rooted in America being economically eclipsed by the Asian juggernaut, said Julie Varughese, Solidarity Network Coordinator of Black Al
American higher education is a relentless gentrifyer that spreads police terror and low wages, said Davarian Baldwin, professor of American Studies and founding director of th
In an article in Black Agenda Report titled “From Black Wall Street to Black Capitalism,” Too Black, a writer and poet based in Indianapolis, reported that “most Greenwood Bla
