Nancy Sue Wilson 1937-2018
Guess who I saw
today, black and white photo,
Marching, Montgomery from
Selma, ‘65?
Guess who I saw
at my high school swingin’ the
Trio; urging us to stay in school?
Guess who I,
was privileged to sequence
a later CD for, late one night?
…and you don’t know, you don’t know how
Glad I am that she
put the purr in whisper, with a sultry
Sound that could make subpoenas seem sensuous
…and you don’t know, you don’t know how
Glad I am that she
Appeared, sparkling, at the end of the
golden era—looking as good as she sounded—
Her face should grace
Buckeye State flags emblazoned
“There will never be another you…”
…and you don’t know, you don’t know how
Glad I am that she
Hovered earth— stunning hummingbird,
gorgeous humanitarian, giving the greatest
performance of her life, moments I loitered—
not seizing the time and asking, “When did
You leave heaven?”
Though, I think it was maybe ’37? I know she’s
Free Again…
© 2018. Raymond Nat Turner, The Town Crier. All Rights Reserved.
Raymond Nat Turner is an acclaimed poet and performing artist. You can find much more of his work at http://upsurgejazz.com.
Despite portraying Donald Trump as representing everything they oppose, when Democratic President Joe Biden took over the White House he left Trump’s measures against Cuba and China intact, virtual
Class conflicts between Africa-born and Haiti-born Blacks and mulattos shaped Haitian political battle lines before and after the 1804 revolution and to this day, said Haitian American author and a
The United States playing any role in Haiti’s future is akin to the fox being left in charge of the henhouse.
There is a lesson to be learned from the differences in recent U.S. and Chinese historical celebrations.
Published in 1920, Self-Determining Haiti remains a remarkable example of investigative journalism and advocacy and a damning testament to the perils and pitfalls of US military
