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Mae Jackson is a New York City based writer, poet, dreamer and doer whose record of activism on behalf of her people stretches back to SNCC. A founder of Art Without Walls, an art program for the children of imprisoned women, she is well acquainted with the difference between surface change, and fundamental, revolutionary change.
Here are a few minutes of her address to the crowd at May 31, 2009 event memorializing the early 20th century Harlem activist Hubert Harrison, in which she lays out a clear understanding of whose lips move when our First Black President speaks. Referring to some of Barack Obama's widely acclaimed orations at the Democratic convention, atop Lincoln's tomb, and other places, she tells us
“..those wonderful speeches made by the young man from Chicago were actually crafted, that's written, by three young white men 25, 26 and 31 years old. We got the unfortunate opportunity once again to see the world through their eyes. Obama was the spokesperson. Same as when you buy a painting, that doesn't make you the painter...”
She explains how the establishment turned took the politics out of activism, neutralizing and de-politicizing young political activists by turning them into “community organizers."
If Haiti is "the poorest country in the hemisphere" it is because imperialist policies continue to impoverish and destabilize that nation.
The people of Ethiopia are understandably relieved that a peace agreement now exists between their government and the TPLF. But aspects of the agreement may allow the U.S. to continue the conflict…
The day known as Thanksgiving is an opportunity to remember how the settler colonial state began its genocide against both indigenous people and enslaved Africans.
Glen Ford wrote many powerful essays, but his unflinching analysis of the history of the holiday we call Thanksgiving endures nearly 20 years after he wrote it.
Glen Ford's posthumously published book, The Black Agenda, is a testament to the enduring power of his work.
