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Mae Jackson is a New York City based writer, poet, dreamer and doer whose record of activism on behalf of her people stretches back to SNCC. A founder of Art Without Walls, an art program for the children of imprisoned women, she is well acquainted with the difference between surface change, and fundamental, revolutionary change.
Here are a few minutes of her address to the crowd at May 31, 2009 event memorializing the early 20th century Harlem activist Hubert Harrison, in which she lays out a clear understanding of whose lips move when our First Black President speaks. Referring to some of Barack Obama's widely acclaimed orations at the Democratic convention, atop Lincoln's tomb, and other places, she tells us
“..those wonderful speeches made by the young man from Chicago were actually crafted, that's written, by three young white men 25, 26 and 31 years old. We got the unfortunate opportunity once again to see the world through their eyes. Obama was the spokesperson. Same as when you buy a painting, that doesn't make you the painter...”
She explains how the establishment turned took the politics out of activism, neutralizing and de-politicizing young political activists by turning them into “community organizers."
Brittney Griner's ordeal in Russia is over. But she has been secreted away for "reintegration" and the U.S. continues its own brand of international hostage taking.
What benefits do Black folk get by endorsing or participating in the white man’s war? Revisiting an anti-war statement by Langston Hughes.
The U.S. does not respect the right to health care, housing, employment, or education while making war on the rest of the world. What does the idea of human rights amount to in this country?
From culture wars to identity politics, it's easy to get sucked into toxic rhetoric and forget the reality of racism staring the US in the face.
Rwanda and Uganda continue their plunder and destabilization of the Democratic Republic of the Congo as proxies of the United States.
