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Mae Jackson is a New York City based writer, poet, dreamer and doer whose record of activism on behalf of her people stretches back to SNCC. A founder of Art Without Walls, an art program for the children of imprisoned women, she is well acquainted with the difference between surface change, and fundamental, revolutionary change.
Here are a few minutes of her address to the crowd at May 31, 2009 event memorializing the early 20th century Harlem activist Hubert Harrison, in which she lays out a clear understanding of whose lips move when our First Black President speaks. Referring to some of Barack Obama's widely acclaimed orations at the Democratic convention, atop Lincoln's tomb, and other places, she tells us
“..those wonderful speeches made by the young man from Chicago were actually crafted, that's written, by three young white men 25, 26 and 31 years old. We got the unfortunate opportunity once again to see the world through their eyes. Obama was the spokesperson. Same as when you buy a painting, that doesn't make you the painter...”
She explains how the establishment turned took the politics out of activism, neutralizing and de-politicizing young political activists by turning them into “community organizers."
In this week’s segment we will hear about the Stop Cop City movement in Atlanta that challenges that city’s political leadership to end their plans for a militarized police facility, and in New Yor
Rev. Keyanna Jones is an Atlanta based minister and an organizer with Community Movement Builders.
Samah Sisay is a staff attorney at the Center for Constitutional Rights.
Cop City is an effort to ensure that state violence will bring the most draconian methods to bear against Black people. State violence is also being used proactively, in an effort to end opposition…
Remembering the anti-imperialist and Pan-Africanist politics of the late Ghanaian writer, Ama Ata Aidoo.
