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Mae Jackson is a New York City based writer, poet, dreamer and doer whose record of activism on behalf of her people stretches back to SNCC. A founder of Art Without Walls, an art program for the children of imprisoned women, she is well acquainted with the difference between surface change, and fundamental, revolutionary change.
Here are a few minutes of her address to the crowd at May 31, 2009 event memorializing the early 20th century Harlem activist Hubert Harrison, in which she lays out a clear understanding of whose lips move when our First Black President speaks. Referring to some of Barack Obama's widely acclaimed orations at the Democratic convention, atop Lincoln's tomb, and other places, she tells us
“..those wonderful speeches made by the young man from Chicago were actually crafted, that's written, by three young white men 25, 26 and 31 years old. We got the unfortunate opportunity once again to see the world through their eyes. Obama was the spokesperson. Same as when you buy a painting, that doesn't make you the painter...”
She explains how the establishment turned took the politics out of activism, neutralizing and de-politicizing young political activists by turning them into “community organizers."
The grandiose name, National Endowment for Democracy, is a subterfuge meant to hide the fact that NED is the public relations arm of the CIA.
There would be no war crimes committed in Gaza absent the direct involvement of the U.S.
Gaza is quite rightly a big news story these days, but events there are just the latest example of the centuries-old settlers' lust for conquest.
It shouldn't need to be said at this late date, but imperialism and settler colonialism are the pertinent issues to address in any discussion of Zionism.
The "democracies" of the world don't live up to this concept they claim is so important to them.
