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Mae Jackson is a New York City based writer, poet, dreamer and doer whose record of activism on behalf of her people stretches back to SNCC. A founder of Art Without Walls, an art program for the children of imprisoned women, she is well acquainted with the difference between surface change, and fundamental, revolutionary change.
Here are a few minutes of her address to the crowd at May 31, 2009 event memorializing the early 20th century Harlem activist Hubert Harrison, in which she lays out a clear understanding of whose lips move when our First Black President speaks. Referring to some of Barack Obama's widely acclaimed orations at the Democratic convention, atop Lincoln's tomb, and other places, she tells us
“..those wonderful speeches made by the young man from Chicago were actually crafted, that's written, by three young white men 25, 26 and 31 years old. We got the unfortunate opportunity once again to see the world through their eyes. Obama was the spokesperson. Same as when you buy a painting, that doesn't make you the painter...”
She explains how the establishment turned took the politics out of activism, neutralizing and de-politicizing young political activists by turning them into “community organizers."
Anti-Black racism and Zionism are two cornerstones of Harvard’s flawed foundation. We should mourn Claudine Gay’s tenure at Harvard because she was both a victim and an agent of white supremacy.
After Haiti gained independence in 1804 following a slave revolt, France threatened to invade and re-enslave the Haitian people if they did not pay compensation to French slave owners for their lost…
Civilian democratic forces are demanding inclusion in proposed discussions in Djibouti.
Thandisizwe Chimurenga is the author of the new book, Some of Us Are Brave, Volume I : Interviews and Conversations with Sistas on Life, Art and Struggle.
We’re joined by Dr. Anthony Monteiro, a Duboisian scholar and founder of the Saturday Free School for Philosophy and Black Liberation. He joins us from Philadelphia to discuss Ibram X.
