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Mae Jackson is a New York City based writer, poet, dreamer and doer whose record of activism on behalf of her people stretches back to SNCC. A founder of Art Without Walls, an art program for the children of imprisoned women, she is well acquainted with the difference between surface change, and fundamental, revolutionary change.
Here are a few minutes of her address to the crowd at May 31, 2009 event memorializing the early 20th century Harlem activist Hubert Harrison, in which she lays out a clear understanding of whose lips move when our First Black President speaks. Referring to some of Barack Obama's widely acclaimed orations at the Democratic convention, atop Lincoln's tomb, and other places, she tells us
“..those wonderful speeches made by the young man from Chicago were actually crafted, that's written, by three young white men 25, 26 and 31 years old. We got the unfortunate opportunity once again to see the world through their eyes. Obama was the spokesperson. Same as when you buy a painting, that doesn't make you the painter...”
She explains how the establishment turned took the politics out of activism, neutralizing and de-politicizing young political activists by turning them into “community organizers."
Margaret Kimberley joined the Sputnik News program Political Misfits they discussed the crackdown on students demanding divestment from Israel, abortion rights, and how Congress enforces discipline…
New York City Mayor Eric Adams may well be the very worst of the Black misleadership class. He takes great pleasure in supporting apartheid Israel and he conducted police raids and intelligence…
Looking back at a time when African states acknowledged their shared anti-colonial struggle with Palestine and rebuked zionism for the white supremacist genocidal ideology and practice that it is.
Ann Garrison continues her series of reviews of books important to understanding the Rwandan Genocide and Rwanda as it is today during this 30th anniversary year of the 1994 massacres.
"We can no longer..." is the latest from BAR's Poet-in-Residence.
