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Mae Jackson is a New York City based writer, poet, dreamer and doer whose record of activism on behalf of her people stretches back to SNCC. A founder of Art Without Walls, an art program for the children of imprisoned women, she is well acquainted with the difference between surface change, and fundamental, revolutionary change.
Here are a few minutes of her address to the crowd at May 31, 2009 event memorializing the early 20th century Harlem activist Hubert Harrison, in which she lays out a clear understanding of whose lips move when our First Black President speaks. Referring to some of Barack Obama's widely acclaimed orations at the Democratic convention, atop Lincoln's tomb, and other places, she tells us
“..those wonderful speeches made by the young man from Chicago were actually crafted, that's written, by three young white men 25, 26 and 31 years old. We got the unfortunate opportunity once again to see the world through their eyes. Obama was the spokesperson. Same as when you buy a painting, that doesn't make you the painter...”
She explains how the establishment turned took the politics out of activism, neutralizing and de-politicizing young political activists by turning them into “community organizers."
Read against the terrible incineration of Rafah today, this poem of resistance and refusal, by Palestinian poet Samih al-Qasim, is as powerful now as it was fifty years ago.
I spoke to William Sakawa, a producer and reporter with the Nairobi-based media outlet African Stream, about Kenyan President William Ruto’s agreement to invade Haiti for the US.
"Hearing! Hearing! Hearing!" is the latest from BAR's Poet-in-Residence.
This week’s featured authors are Jeanelle K. Hope and Bill V. Mullen. Their book is The Black Antifascist Tradition: Fighting Back From Anti-Lynching to Abolition.
Despite the undeserved loyalty of Black people to the Democratic Party, lawmakers continue to push policy that ignores concerns about climate change and environmental damage in their communities.
