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Mae Jackson is a New York City based writer, poet, dreamer and doer whose record of activism on behalf of her people stretches back to SNCC. A founder of Art Without Walls, an art program for the children of imprisoned women, she is well acquainted with the difference between surface change, and fundamental, revolutionary change.
Here are a few minutes of her address to the crowd at May 31, 2009 event memorializing the early 20th century Harlem activist Hubert Harrison, in which she lays out a clear understanding of whose lips move when our First Black President speaks. Referring to some of Barack Obama's widely acclaimed orations at the Democratic convention, atop Lincoln's tomb, and other places, she tells us
â..those wonderful speeches made by the young man from Chicago were actually crafted, that's written, by three young white men 25, 26 and 31 years old. We got the unfortunate opportunity once again to see the world through their eyes. Obama was the spokesperson. Same as when you buy a painting, that doesn't make you the painter...â
She explains how the establishment turned took the politics out of activism, neutralizing and de-politicizing young political activists by turning them into âcommunity organizers."
The project has caused indignation in Cuba, which claims sovereignty over the GuantĂĄnamo Base, occupied more than 100 years ago by the US military.
The Lobito Corridor is a key piece of infrastructure western powers are flooding with capital to pursue their imperialist aggression and exploitation of the Democratic Republic of Congo.
Israel is accelerating its annexation of the West Bank through legal maneuvers that grant settlers direct ownership of Palestinian land.
President Donald Trump's recent antagonisms toward Panama have illustrated the need for the Panamanian people to build power through popular unity.
In this weekâs segment, we hear about a community forum that will discuss the need to organize in the wake of an acquittal in the 2023 killing of Jordan Neely in the New York City subway system.
