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Mae Jackson is a New York City based writer, poet, dreamer and doer whose record of activism on behalf of her people stretches back to SNCC. A founder of Art Without Walls, an art program for the children of imprisoned women, she is well acquainted with the difference between surface change, and fundamental, revolutionary change.
Here are a few minutes of her address to the crowd at May 31, 2009 event memorializing the early 20th century Harlem activist Hubert Harrison, in which she lays out a clear understanding of whose lips move when our First Black President speaks. Referring to some of Barack Obama's widely acclaimed orations at the Democratic convention, atop Lincoln's tomb, and other places, she tells us
“..those wonderful speeches made by the young man from Chicago were actually crafted, that's written, by three young white men 25, 26 and 31 years old. We got the unfortunate opportunity once again to see the world through their eyes. Obama was the spokesperson. Same as when you buy a painting, that doesn't make you the painter...”
She explains how the establishment turned took the politics out of activism, neutralizing and de-politicizing young political activists by turning them into “community organizers."
Growing socialist and people's democratic projects, as in China and Bolivia, must be seen as examples of how revolutionary forces in the United States can build a system of governance.
A reported rift between Trump and Netanyahu continues to widen ahead of the US president's first visit to West Asia since regaining power.
A forward-looking critique of African and Caribbean collaborations embodied in the Africa-Caribbean Community (CARICOM) Summit.
The United States' role in Central Africa has resulted in regional war and mass casualties.
In this week’s segment, we discuss the 80th anniversary of victory in Europe in World War II, and the disinformation that centers on the U.S.'s role and dismisses the pivotal Soviet role in that…
