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Mae Jackson is a New York City based writer, poet, dreamer and doer whose record of activism on behalf of her people stretches back to SNCC. A founder of Art Without Walls, an art program for the children of imprisoned women, she is well acquainted with the difference between surface change, and fundamental, revolutionary change.
Here are a few minutes of her address to the crowd at May 31, 2009 event memorializing the early 20th century Harlem activist Hubert Harrison, in which she lays out a clear understanding of whose lips move when our First Black President speaks. Referring to some of Barack Obama's widely acclaimed orations at the Democratic convention, atop Lincoln's tomb, and other places, she tells us
“..those wonderful speeches made by the young man from Chicago were actually crafted, that's written, by three young white men 25, 26 and 31 years old. We got the unfortunate opportunity once again to see the world through their eyes. Obama was the spokesperson. Same as when you buy a painting, that doesn't make you the painter...”
She explains how the establishment turned took the politics out of activism, neutralizing and de-politicizing young political activists by turning them into “community organizers."
Roger McKenzie is the international editor of the UK-based Morning Star, the only English-language socialist daily newspaper in the world. He joins us from Oxford to discuss his new book, “The…
The late Bruce Dixon was a co-founder and managing editor of Black Agenda Report. In 2018, he provided this commentary entitled, "US Fake History of World War II Underlies Permanent Bipartisan…
Nadiah Alyafai is a member of the US Palestinian Community Network chapter in Chicago and she joins us to discuss why the public must be aware of the Nakba and the continuity of Palestinian…
Black people who are among the rich and famous garner praise and love, and so do those who are in distress. But concerns for the masses of people and their struggles are often missing.
Ama Ata Aidoo lands a knock-out blow to white neocolonial anti-African revisionism.
