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Mae Jackson is a New York City based writer, poet, dreamer and doer whose record of activism on behalf of her people stretches back to SNCC. A founder of Art Without Walls, an art program for the children of imprisoned women, she is well acquainted with the difference between surface change, and fundamental, revolutionary change.
Here are a few minutes of her address to the crowd at May 31, 2009 event memorializing the early 20th century Harlem activist Hubert Harrison, in which she lays out a clear understanding of whose lips move when our First Black President speaks. Referring to some of Barack Obama's widely acclaimed orations at the Democratic convention, atop Lincoln's tomb, and other places, she tells us
“..those wonderful speeches made by the young man from Chicago were actually crafted, that's written, by three young white men 25, 26 and 31 years old. We got the unfortunate opportunity once again to see the world through their eyes. Obama was the spokesperson. Same as when you buy a painting, that doesn't make you the painter...”
She explains how the establishment turned took the politics out of activism, neutralizing and de-politicizing young political activists by turning them into “community organizers."
Popular resistance against the Trump administration in Los Angeles and other cities is a very positive development and one that Black people must embrace.
“any where or world where there is love there is the sky and its blue free
Christopher C. Black fought for justice in politically agendized international courts.
Trump deploys Marines against LA protesters, echoing Nixon’s Kent State crackdown. But this time, he faces a broader, greatly disaffected opposition ready to fight back.
This week’s featured author is Edna Bonhomme. Bonhomme is a historian of science, culture writer, and journalist based in Berlin, Germany. Her book is A History of the World in Six Plagues: How…
