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Mae Jackson is a New York City based writer, poet, dreamer and doer whose record of activism on behalf of her people stretches back to SNCC. A founder of Art Without Walls, an art program for the children of imprisoned women, she is well acquainted with the difference between surface change, and fundamental, revolutionary change.
Here are a few minutes of her address to the crowd at May 31, 2009 event memorializing the early 20th century Harlem activist Hubert Harrison, in which she lays out a clear understanding of whose lips move when our First Black President speaks. Referring to some of Barack Obama's widely acclaimed orations at the Democratic convention, atop Lincoln's tomb, and other places, she tells us
“..those wonderful speeches made by the young man from Chicago were actually crafted, that's written, by three young white men 25, 26 and 31 years old. We got the unfortunate opportunity once again to see the world through their eyes. Obama was the spokesperson. Same as when you buy a painting, that doesn't make you the painter...”
She explains how the establishment turned took the politics out of activism, neutralizing and de-politicizing young political activists by turning them into “community organizers."
Ortega and Bukele are polar opposites: one invests in dignity and democracy, the other in mass incarceration and imperial alliances.
"Protection" is a lie—a pretext for state violence, militarism, and control, targeting the marginalized while masking harm as care. True safety comes not from oppressive systems, but from resistance…
Defeating the war on Black/African people requires solidarity with all who are oppressed and resistance against our common enemy.
While ICE and law enforcement unleash raids across LA, protesters stand firm, exposing the brutal machinery of deportation and the state’s violent response to dissent and resistance.
Issues before the high court range from health care access and citizenship to workplace discrimination and redistricting.
