The US film industry is more open to Black themes and participation than in the past, but still has not answered the question of what kind of society it will project, said Maryann Erigha, a professor of sociology and African American Studies at the University of Georgia, and author of the new book, “The Hollywood Jim Crow: Racial Politics of the Movie Industry.” “Is it a sanitized whiteness, is it a whitewashed vision, or can we have this unapologetic Blackness, and that just be part of the American cultural canon?”
"City of Angels" is the latest from BAR's Poet-in-Residence.
From ICE courtroom ambushes to sheriffs' execution threats, America's domestic repression now openly wields the tools it honed in overthrowing foreign governments.
Homelessness isn’t policy failure—it’s policy. From 19th-century British 'clearings' to today’s police sweeps and Blackstone evictions, the playbook stays the same: displace the poor, privatize the…
To honor Kwame Ture is to condemn Zionism. Yet the lecture bearing his name platformed a speaker who calls anti-Zionism 'hate', erasing Ture’s clarity that Palestine’s liberation is inseparable from…
Decades of U.S. military aid and Israeli occupation created the conditions for the attack on Iran in an unbroken chain of imperial violence.
