Black Agenda Report
Black Agenda Report
News, commentary and analysis from the black left.

  • Home
  • Africa
  • African America
  • Education
  • Environment
  • International
  • Media and Culture
  • Political Economy
  • Radio
  • US Politics
  • War and Empire

Selma: Black History According to Oprah
22 Jan 2015
🖨️ Print Article

“Oprah insults Black SNCC civil rights heroes, but she protects the white, rich Kennedys.”

Like all historical dramatic films, Selma is a political work, reflecting the political views of the producers. Oprah Winfrey is one of those producers, in addition to playing one of the characters in this version of the Selma story. Her handwriting – that is, her conservative Black political worldview – is all over the film, which demands and deserves a political response.

For the purposes of this brief radio commentary, I’m only going to register three complaints.

Number One: the film is a crude insult to SNCC, the Student Non-Violent Coordinating Committee workers who, along with a small minority of Black preachers like Dr. Martin Luther King, comprised the infrastructure of the civil rights movement in the Deep South. These hundreds of heroic young people, who had been organizing communities in Mississippi and Georgia and, yes, Lowndes County, Alabama for years, and who invited Dr. King to come to Selma, are personified in the film by one confused sounding, infantile behaving youth who we are supposed to believe is James Forman, the SNCC executive secretary who was, in real life, a Korean War veteran and former teacher and ground-breaking organizer about the same age as Dr. King. In the film, the James Forman character comes across as petty-minded, while Dr. King is made to seem like the only adult in town. Veterans of SNCC have a right to be hurt at being consigned to the dustbin of history by the likes of Oprah Winfrey. The rest of us should also be angry at having our history treated like a Saturday morning cartoon.

“King was seeking social transformation, a new system of living.”

Some people are missing from the film that absolutely should be in there. No, I’m not talking about Stokely Carmichael, although yes, he is quite relevant to the story. I mean the Kennedy brothers, John and Bobby, who were the ones who authorized the bugging of Dr. King’s phones and office and hotel rooms. But Oprah loves the Kennedys, and so the movie leads the audience to believe that J. Edgar Hoover and President Lyndon Johnson set out to surveil and destroy King because of his push for voting rights. But Attorney General Robert Kennedy signed the order, while his brother, who was then president, was still alive. Oprah insults Black SNCC civil rights heroes, but she protects the white, rich Kennedys.

Finally, near the end of the film, Dr. King is depicted as yearning for an end to mass protests, so that Black people could achieve real political power – quite clearly meaning the election of more Black people to office. As if that’s what the mass movement was all about, in King’s mind. We know that’s not true, because Dr. King said the opposite in countless sermons, speeches, books and essays; that he was seeking social transformation, a new system of living. Three years after Selma, King died, still seeking to revive the mass movement.

For Oprah Winfrey, Dr. King was just an opening act for a future President Obama, and for an age of billionaire Black TV celebrities.

As Prof. Abdul Alkalimat, of the University of Illinois, has written about the film Selma: “If the most militant person in the movie is played by Oprah, you know something is very, very wrong.”

For Black Agenda Radio, I’m Glen Ford. On the web, go to BlackAgendaReport.com, and sign up for email notifications of our new issues, each Wednesday.

BAR executive editor Glen Ford can be contacted at Glen.Ford@BlackAgendaReport.com.

Your browser does not support the audio element.

listen
http://traffic.libsyn.com/blackagendareport/20150121_gf_OprahSelma.mp3
Oprah

More Stories


  • BAR Book Forum: Justin Podur and Joe Emersberger’s “Extraordinary Threat”
    Roberto Sirvent, BAR Book Forum Editor
    BAR Book Forum: Justin Podur and Joe Emersberger’s “Extraordinary Threat”
    02 Jun 2021
    Western media outlets, NGOs and powerful governments allied with the United States work in unison to deceive people about foreign policy.
  • Jackson Mississippi’s Black Ruling Class Collaborates to Give Cops Cover to Kill
    Adofo Minka
    Jackson Mississippi’s Black Ruling Class Collaborates to Give Cops Cover to Kill
    02 Jun 2021
    The “radical” Mayor Chokwe Antar Lumumba has presided over the police killing of eight Black citizens since 2017.
  • How Corporations Buy—and Sell—Food Made With Prison Labor
    H. Claire Brown 
    How Corporations Buy—and Sell—Food Made With Prison Labor
    02 Jun 2021
    The small world of prison food production is a microcosm of the American food system, which all too o#en functions as a race to the bottom.
  • Toward a Police-Free Future in Canada
    Robyn Maynard
    Toward a Police-Free Future in Canada
    02 Jun 2021
    The defund movement shows the way to divest from violence and repression, and invest in safety and life-affirming services.
  • Otobong IniekeAfrican Financial Independence is a Threat to Imperialism
    Otobong Inieke
    African Financial Independence is a Threat to Imperialism
    02 Jun 2021
    Africa has been a net creditor to the rest of the world for decades, and must find ways to hold on to its capital.
  • Load More
Subscribe
connect with us
about us
contact us