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Mae Jackson is a New York City based writer, poet, dreamer and doer whose record of activism on behalf of her people stretches back to SNCC. A founder of Art Without Walls, an art program for the children of imprisoned women, she is well acquainted with the difference between surface change, and fundamental, revolutionary change.
Here are a few minutes of her address to the crowd at May 31, 2009 event memorializing the early 20th century Harlem activist Hubert Harrison, in which she lays out a clear understanding of whose lips move when our First Black President speaks. Referring to some of Barack Obama's widely acclaimed orations at the Democratic convention, atop Lincoln's tomb, and other places, she tells us
“..those wonderful speeches made by the young man from Chicago were actually crafted, that's written, by three young white men 25, 26 and 31 years old. We got the unfortunate opportunity once again to see the world through their eyes. Obama was the spokesperson. Same as when you buy a painting, that doesn't make you the painter...”
She explains how the establishment turned took the politics out of activism, neutralizing and de-politicizing young political activists by turning them into “community organizers."
Federal indictments against the African People's Socialist Party are part of a long history of attacks on Black leftists.
A United Nations panel of experts is in the US investigating the condition of political prisoners held in this country.
The late Harry Belafonte was a great artist and also a committed revolutionary.
The Black Alliance for Peace Haiti/Americas Team issued this statement in protest of the latest effort of the Core Group to undermine Haitian sovereignty.
Note that all western coverage of Haiti over the past ten months has centered on “gang violence” and not the protests by the people against an illegitimate Prime Minister, unending U.S. imperial…
