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Mae Jackson is a New York City based writer, poet, dreamer and doer whose record of activism on behalf of her people stretches back to SNCC. A founder of Art Without Walls, an art program for the children of imprisoned women, she is well acquainted with the difference between surface change, and fundamental, revolutionary change.
Here are a few minutes of her address to the crowd at May 31, 2009 event memorializing the early 20th century Harlem activist Hubert Harrison, in which she lays out a clear understanding of whose lips move when our First Black President speaks. Referring to some of Barack Obama's widely acclaimed orations at the Democratic convention, atop Lincoln's tomb, and other places, she tells us
“..those wonderful speeches made by the young man from Chicago were actually crafted, that's written, by three young white men 25, 26 and 31 years old. We got the unfortunate opportunity once again to see the world through their eyes. Obama was the spokesperson. Same as when you buy a painting, that doesn't make you the painter...”
She explains how the establishment turned took the politics out of activism, neutralizing and de-politicizing young political activists by turning them into “community organizers."
Anger erupted across the country, which is home to a large Shia population that viewed Khamenei as their spiritual leader.
In this statement, the Cuban Institute for Friendship of the Peoples (ICAP) expresses solidarity with Iran and condemns the United States and Israel's attack on that country and clearly states that…
David Fagen's defection demonstrated the history of Black solidarity with oppressed people.
In this week’s segment, we discuss Trump administration proposals to disenfranchise voters and unconstitutionally give the federal government control over elections. But we begin with an analysis of…
The Simon Bolivar Institute in Caracas, Venezuela, hosted a delegation from the International Brigade for Peace and Solidarity with Venezuela. We’re joined by one of those delegates, Jacqueline…
