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Mae Jackson is a New York City based writer, poet, dreamer and doer whose record of activism on behalf of her people stretches back to SNCC. A founder of Art Without Walls, an art program for the children of imprisoned women, she is well acquainted with the difference between surface change, and fundamental, revolutionary change.
Here are a few minutes of her address to the crowd at May 31, 2009 event memorializing the early 20th century Harlem activist Hubert Harrison, in which she lays out a clear understanding of whose lips move when our First Black President speaks. Referring to some of Barack Obama's widely acclaimed orations at the Democratic convention, atop Lincoln's tomb, and other places, she tells us
“..those wonderful speeches made by the young man from Chicago were actually crafted, that's written, by three young white men 25, 26 and 31 years old. We got the unfortunate opportunity once again to see the world through their eyes. Obama was the spokesperson. Same as when you buy a painting, that doesn't make you the painter...”
She explains how the establishment turned took the politics out of activism, neutralizing and de-politicizing young political activists by turning them into “community organizers."
Malcolm X didn’t just fight for Black liberation—he waged war on empire itself. As U.S. militarism tightens its grip on Africa and beyond, his revolutionary internationalism burns brighter than ever…
"A few lines for the Poet Ojenke..." is the latest from BAR's Poet-in-Residence.
The Israeli army has intensified attacks on hospitals as part of the new operation, which aims to displace the entire population of Gaza.
The Trump administration opens a new ICE detention center in New Jersey’s biggest city and a hub for immigrant communities, earning a bold response from immigrant rights organizers.
In this week’s segment, we discuss the modern history of Black politics in the city of Newark, New Jersey, after the death of a long-serving former mayor and the arrest and brief detention of the…
