2/4 Dance Don’t Cut It
“Pay, or die…” the Death
Sentence Big Pharma-
Insurance Mob just issued
a neighbor; and a Frankenfood
experiment’s irritating my gut
The water smells swampy some days,
like bleach others; Tents grow in night
air like multi-colored mushrooms—crazy
cancer cells; Another school’s shuttered,
its teachers scattered in the wind, like
pencil sharpener shavings—Money for
Bombs, not for books—Wow, the wars
went from seven to nine this week…
Here they come again with Fear:
‘Freedom of Choice,’ binary bad
or worse options—hiking uphill
barefoot, in elephant excrement,
donkey dung to take one—with or
without Vaseline—from the1% again
I’m not sure I have another 8 yrs
for translating, deciphering slogans:
“Regime…change you can believe in!”
“Yes, we can…and bottle Jim Jones Juice!”
as silly spoils of celebrity-worship;
Isn’t it time for Adult Politics?
Isn’t it time to abandon Infantile
Exercises—searching for saviors
Every 2 to 4 yrs—and Nominate
Meeting More Than Four Corners;
Donate to Door-To-Door; Phone Bank
for Boycott; Campaign for Consciousness;
Support Shoe Leather-Street Heat running for
Raising roofs, planting food, curing cancer?
Namibia issues a statement in response to Germany's declaration of support of Israel during the hearing at the International Court of Justice and its intention to intervene on that nation's behalf.…
A statement from Free Palestine Charleston regarding their recent protest against Joe Biden's ongoing genocide in Palestine while he spoke at Mother Emanuel AME Church.
Israel faces South Africa in International Court of Justice, Biden uses Black church as a backdrop, and a federal judge rules in favor of voter eligibility challenges.
Richard Medhurst, independent journalist, joins to discuss events in Gaza as the International Court of Justice prepares considers South Africa’s invoking the genocide convention against Israel.
Marcus McDonald, lead organizer with Charleston Black Lives Matter and Tamara, Palestinian American organizer with Free Palestine Charleston, join to discuss how an historic Black church was used for…
