by BAR poet in residence Raymond Nat Turner
Big doings this week up there between the War House and the Rogues Garden. Our poet reports on the show, clowns, cloven hooves and all.
Circus on Capitalist Hill (Comey don’t play that…)
by BAR poet in residence Raymond Nat Turner
A senile clown questions the wind
Hearing what he’s heard
hundreds of times before:
Step right up, ladies and gentlemen
into the smoke and
mirror swamp, draining
Anything not nailed down
Step right up, ladies and gentlemen
to sideshow puppetry
Millionaire-billionaire buffoonery
Crooked clowns hiding behind corkscrews
Conniving clowns with
cloven hooves and horns
turning fruits of our labor
into ATMs
Step right up, ladies and gentlemen
suspend disbelief,
Don’t follow the money
pay No attention to
1% pickpockets
Working the perimeter
Step right up, ladies and gentlemen
enter the Capitalist Hill,
War House, Rogue Garden,
Offal Office, White
Supreme Court matrix—
Big Top, bleaching brains,
fooling fools and babies
Riding bareback and backwards
on donkeys and elephants
Babbling ‘bout “our democracy”
Step right up, ladies and gentlemen
See the greatest show on turf
pebbles posing as diamonds,
Fascism as ‘democracy’
with redacted rights…
Step right up, ladies and gentlemen
See the clown trick
Un-framing, freeing an Indigenous
Warrior caged four decades
Step right up, ladies and gentlemen
See the clown trick
sliding cells open pneumatically,
Freeing COINTELPRO, Black Power
political prisoners, prisoners of war—
“I didn’t think so— Comey don’t play that…”
Raymond Nat Turner © 2017 All Rights Reserved
Raymond Nat Turndr is an acclaimed poet and performance artist. find much more of his work at http://upsurgejazz.com.
There is a lesson to be learned from the differences in recent U.S. and Chinese historical celebrations.
Published in 1920, Self-Determining Haiti remains a remarkable example of investigative journalism and advocacy and a damning testament to the perils and pitfalls of US military
Three nations share the same water, but not the same foreign connections, which makes for a dangerous mix.
Could the pigment of your imagination cause Black magic mascots, props, sops— Black faces in high places— to short-circuit electrical gray spaces?
Millions have turned away from the illusions and corruption of capitalism toward the possibility of organizing a society informed by the values of cooperation, equality, community, peace, and life.
