Fraternal fist-bump between gangstas—Fugget about it…
(For Allen Ginsberg, my other favorite ‘Jersey Boy’)
I.
apartheid state/south of the border/embassy butcherville—
Truth tellers residing in crosshairs everywhere! So what’s with
twitter tizzy; dither ‘bout a lil’ hand-to-hand contact between
Gangstas?
Fugget about it…
A fraternal fist bump?
A routine morning dump?
Or a Munchkin coal lump?
A Yankee slugger’s slump?
Fugget about it…
Brotherly bungee jump?
Ol’ Schmo playin’ the chump?
nazi party post-Trump?
Or overwork of Ben Crump?
Fugget about it…
II.
Ol’ Schmo said he hadda go
Ol’ Schmo said he hadda go—
He said he was gonna make a Pariah of the prince
He said he was gonna make a Pariah of the prince—
But made death merchants more dollaz an’ cents!
Ol’ Schmo said he hadda go
Ol’ Schmo said he hadda go—
He said he was gonna make the prince into a Pariah
He said he was gonna make the prince into a Pariah—
But, look, whose star-spangled trousers is on fiyah?
Ol’ Schmo said, “Nothing will fundamentally change…”
Ol’ Schmo said, “Nothing will fundamentally change…”
C’mon, now’s, the fraternal fist-bump all that strange??
Ol’ Schmo said, Bloody fists don’t give Gangstas COVID-19
Ol’ Schmo said, Bloody fists don’t give Gangstas COVID-19
‘Cause he, the prince, et.al’s—cut from Capitalist Gangrene!
© 2022. Raymond Nat Turner, The Town Crier. All Rights Reserved.
Former forklift driver/warehouse worker/janitor, Raymond Nat Turner is a NYC poet; BAR's Poet-in-Residence; and founder/co-leader of the jazz-poetry ensemble UpSurge!NYC. You can Vote for his work at: GoFundMe and PayPal .
AFRICOM's real aim was never peace nor stability but rather, strategic US interests.
Activists say these ordinances for minor violations are rooted in racist laws and anti-homeless policies. “it’s illegal to be Black in public.”
This week Russophobia and the recent presidential debate were the topic of conversation.
Black health is directly connected to the displacement and dispossession of our ancestors and the conditions of our neighborhoods.
Through photography, the author asks questions about the meaning and nature of liberation.
