Bird, strings, Big Chief: 100: Harlem (For Charlie Parker/Donald Harrison/Harlem Symphony Orchestra) | Black Agenda Report

Bird, strings, Big Chief: 100: Harlem (For Charlie Parker/Donald Harrison/Harlem Symphony Orchestra)

Raymond Nat Turner, BAR poet-in-residence

08 Sep 2021

🖨️ Print Article

Photo: Janine Robinson

Bird, strings, Big Chief: 100: Harlem

(For Charlie Parker/Donald Harrison/Harlem Symphony Orchestra)

Gathering witnesses bearing beautiful collisions—

Kansas City, New Orleans, Harlem—in Harlem. Only

Harlem fetes YardBird in Marcus Garvey Park. Only

Harlem has Big Easy Chief of Congo Nation do the

honors. It’s still a COVID 19 scene and Black masking’s

an act of communal resistance…

It’s still a COVID 19 scene and the virus’s variations

are playing “Giant Steps” within Monk’s complicated

compositions. It’s still a COVID 19 scene and greed

driven confederate governors are playing with lives;

Playing simple songs sounding like “Mississippi Hot-

dog”/“Twinkle Twinkle Little Stars and Bars…”

Spy Boys check Jazz Tribe temps and statuses.

They buy Big Chief time to procure and secure

Suspenders; adjust his invisible headdress and

prepare sacred songs for meeting The Peoples’ Tribe.

Charlie Parker’s music’s magic—Blues magnet gathering

grassroots, salt of the earth—Harlem’s finest—like

shavings of steel hardened by white heat and hammer

A drizzle decrescendos and morphs into the perfect

prelude, into micro climate mist—handing humidity a

rare defeat. The weather’s a bittersweet reminder of

Impermanence. Change—spiraling lower to higher—birth

to death; reminding us who are “Just Friends,” “Now’s

The Time” to connect—this evening’s the only time we own…

Older gentlemen—second wave Jitterbugs—with

muscle memory of Lindy Hop to Bebop honor the

Moment. They select skilled younger partners to

Swing, spin, twirl; showing off middle year bodies

more beautiful than perfect: cleavage, calves and

sculpted thighs revealed as colorful knee-high skirts rise

Maybe they couldn’t keep Malcolm alive or hold on to

Houses grandparents paid off. But tonight they hold

on to one another—hold on to Charlie Parker—Bird

with strings attached…

Former forklift driver/warehouse worker/janitor, Raymond Nat Turner is a NYC poet; BAR's Poet-in-Residence; and founder/co-leader of the jazz-poetry ensemble UpSurge!NYC. You can Vote for his work at:

GoFundMe: https://www.gofundme.com/f/the-town-criers-big-tooth-fund

PayPal: paypal.me/towncrierRNT

© 2021. Raymond Nat Turner, The Town Crier. All Rights Reserved.

Music

Do you need and appreciate Black Agenda Report articles? Please click on the DONATE icon, and help us out, if you can.

More Stories

Black Agenda Radio with Margaret Kimberley
Black Agenda Radio March 24, 2023
24 Mar 2023
In this segment, we learn why Atlanta is the site of the planned Cop City police training facility in what purports to be a Black mecca
Black Agenda Radio with Margaret Kimberley
Ray McGovern Connects Anniversary of Iraq Invasion and Ukraine Proxy War - Part 1
24 Mar 2023
Ray McGovern served as a CIA analyst for 27 years, from the administration of John F. Kennedy to that of George H. W. Bush.
Black Agenda Radio with Margaret Kimberley
How Atlanta Politics Led to Cop City
24 Mar 2023
Tea Troutman is a community organizer, urbanist, and cultural critic from Atlanta, Georgia. They are currently a Ph.D. student in Geography at the University of Minnesota working on a dissertation…
Black Agenda Radio with Margaret Kimberley
Biden Continues Punitive Immigration Policies - Part 1
24 Mar 2023
Aly Wane is on the advisory board of the Immigrant Justice Network. He joins us from Syracuse, New York to discuss Biden administration immigration policy and its similarities with that of Trump and…
Ajamu Baraka, BAR editor and columnist
Commemorations of the Attack on Iraq March 20th and Libya March 19th Reaffirm that the U.S./EU/NATO Axis of Domination Remains the Greatest Threat to International Peace on our Planet
22 Mar 2023
Iraq and Libya were both targeted by the U.S. in the month of March. The anniversaries of these war crimes must be commemorated, and the nature of the US/EU/NATO war machine must be understood.