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Jemima Pierre, BAR Editor and Contributor
Nayib Bukele, El Salvador’s president, joins Erik Prince, the US, and the UN to kill more Haitians.
Editors, The Black Agenda Review
“Between October 2 and October 8, 1937, between 15,000 and 40,000 Haitians and Black Dominicans were slaughtered by Dominican troops…
Black Alliance For Peace
The UN's renewal of the Gang Suppression Force mandate is part of a wider hemispheric project to reassert military control across the Americas.
Berthony Dupont
The armed groups in Haiti are not a spontaneous wave of banditry, but a scheme orchestrated by imperialist powers in concert with a reactionary
Margaret Kimberley, BAR Executive Editor and Senior Columnist
The Hague Group’s goal is to “. . .
Berthony Dupont
Responsibility for Haiti's deteriorating conditions does not rest on the Haitian masses.
Bertin M. Louis, Jr.
From the United States to the Dominican Republic to the Bahamas, the violence, collective scapegoating, and mass deportation of Haitians lay ba
Black Alliance For Peace
FIFA allowed a nation that commits genocide and runs detention gulags to host the World Cup, and the Anti-Fascist Football Coalition says stayi
Editors, The Black Agenda Review
Oh, carrier Intrepid/you in these torrid waters of Santo Domingo/only out of fear.
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- Ann Garrison , BAR contributorRich and manipulative people like Hillary Clinton and her DNC cohorts were defeated by their own emails. “You can expect her to run for president once again.”
- Danny Haiphong , BAR contributorBlack, working and poor people can expect no relief from Democrats, who will continue to divert the nation’s resources to foreign wars and coups.
- Eric BlancCory Booker rose to prominence as a fanatical backer of school privatization, yet poses as a friend of public education and teachers.
- Jahan Chowdhry, BAR Comments EditorThis week the reader discussion was on the limits of electoral democracy in the United States and the accommodation of diversity in American imperialism.
- Roberto Sirvent, BAR Book Forum EditorThe author employs Frantz Fanon’s discussion of protest culture as a lens of analysis of hip-hop in Africa.