The US film industry is more open to Black themes and participation than in the past, but still has not answered the question of what kind of society it will project, said Maryann Erigha, a professor of sociology and African American Studies at the University of Georgia, and author of the new book, “The Hollywood Jim Crow: Racial Politics of the Movie Industry.” “Is it a sanitized whiteness, is it a whitewashed vision, or can we have this unapologetic Blackness, and that just be part of the American cultural canon?”
The books in focus explore the ways an anti-black world tries to interdict the possibilities of Black life, and how Black people resist and overcome such assaults.
Increased police technology, increased training and “community policing” tend to actually expand instead of decreasing policing.
The attorney general’s theory rests on the premise that there is a set path by which one radicalizes into becoming violent.
Does the belatedness and ubiquity/banality of allyship echo an anxiety about the enormous restraint that African Americans have exercised?
White labor leaders are failing to understand non-traditional organizing that has developed from viral social media movements.
