The US film industry is more open to Black themes and participation than in the past, but still has not answered the question of what kind of society it will project, said Maryann Erigha, a professor of sociology and African American Studies at the University of Georgia, and author of the new book, “The Hollywood Jim Crow: Racial Politics of the Movie Industry.” “Is it a sanitized whiteness, is it a whitewashed vision, or can we have this unapologetic Blackness, and that just be part of the American cultural canon?”
The US dictatorship of capital provides the people with a non-choice between two vile and racist presidential candidates.
The man portrayed by Don Cheadle in the movie about mass slaughter in Rwanda was kidnapped and jailed by the country’s dictator, writes Ann Garrison.
There sat the morally constipated politician fartin’ ‘round with truth like an amateur magician… Locked, loaded, flinging fecal matter at a class mate…
In the 1960s LA communities of color prioritized a radical tradition of care and the transformative power of art and politics.
Through a loophole in the 13th Amendment, governments and corporations profit from cheap, incarcerated labor.
