The US film industry is more open to Black themes and participation than in the past, but still has not answered the question of what kind of society it will project, said Maryann Erigha, a professor of sociology and African American Studies at the University of Georgia, and author of the new book, “The Hollywood Jim Crow: Racial Politics of the Movie Industry.” “Is it a sanitized whiteness, is it a whitewashed vision, or can we have this unapologetic Blackness, and that just be part of the American cultural canon?”
Son, it look lak Unca Jim say, “Las’ time I chek I’se de whip— an’ got no time fo’ young Negroz wit all dey Blak Life lip…”
The idea that we can resolve racism by integrating a fundamentally anti-Black institution is the most absurd notion of all.
The Bureau’s COINTELPRO deployed every trick and crime in the book to crush left dissidents, from disruption to assassination.
This week the presidential election and the legacy of Paul Robeson were on your minds.
Politicians ignore at their peril the power of popular culture and its people-moving practitioners.
