The US film industry is more open to Black themes and participation than in the past, but still has not answered the question of what kind of society it will project, said Maryann Erigha, a professor of sociology and African American Studies at the University of Georgia, and author of the new book, “The Hollywood Jim Crow: Racial Politics of the Movie Industry.” “Is it a sanitized whiteness, is it a whitewashed vision, or can we have this unapologetic Blackness, and that just be part of the American cultural canon?”
U.S. policies are not guided by the whims of the individual who sits in the White House, but by the objective interests of dominant sectors of the ruling elite.
The trio of so-called “progressive” female officeholders pretend to fight the power, but only misdirect and bewilder.
Instead of showing solidarity with the third world, ADOS makes it clear that they want their share of the spoils of imperialism.
Arendt saw the “Negro question” as a “Negro problem” rather than a white problem.
The authors set out to reconstruct King’s critical theory of racial capitalism.
