The US film industry is more open to Black themes and participation than in the past, but still has not answered the question of what kind of society it will project, said Maryann Erigha, a professor of sociology and African American Studies at the University of Georgia, and author of the new book, “The Hollywood Jim Crow: Racial Politics of the Movie Industry.” “Is it a sanitized whiteness, is it a whitewashed vision, or can we have this unapologetic Blackness, and that just be part of the American cultural canon?”
To break cyclical, systemic oppression requires a functionality that rejects reified notions of governance, global capitalism, and accommodation.
Jazzman William Parker’s work is a bold art of resistance to capitalism, colonialism, racism, and the runaway train that is our present-day America.
Ruth Maclean’s article, like countless others in Western media, took place in an Africa without leaders, without public health officials or activists.
The tradition of Caribbean intelligentsia insists on a grounding with the massive against the elites.
By gradually driving occupied populations from their land and concentrating them into dense and fractured pockets, both South Africa and Israel thwart political autonomy and true democracy.
