The US film industry is more open to Black themes and participation than in the past, but still has not answered the question of what kind of society it will project, said Maryann Erigha, a professor of sociology and African American Studies at the University of Georgia, and author of the new book, “The Hollywood Jim Crow: Racial Politics of the Movie Industry.” “Is it a sanitized whiteness, is it a whitewashed vision, or can we have this unapologetic Blackness, and that just be part of the American cultural canon?”
Teddy Fikre is an Ethiopian-American independent candidate for Congress in Virginia. He discusses the challenges that his community faces in advocating for their homeland through U.S. electoral…
Flashbacks of wild Boers storming Capitalist Hill
In this series, we ask acclaimed authors to answer five questions about their book. This week’s featured author is Habiba Ibrahim. Ibrahim is Associate Professor of English at the University of…
April Goggans is an organizer with Black Lives Matter in Washington DC. After years of FOIA requests she has been granted a hearing to determine if the Metropolitan Police Department are required to…
Worldwide outrage over the killing of Soweto youth protesting on June 16, 1976 was a turning point in South African history. But the end of apartheid was not the end of racist oppression or corporate…
