The US film industry is more open to Black themes and participation than in the past, but still has not answered the question of what kind of society it will project, said Maryann Erigha, a professor of sociology and African American Studies at the University of Georgia, and author of the new book, “The Hollywood Jim Crow: Racial Politics of the Movie Industry.” “Is it a sanitized whiteness, is it a whitewashed vision, or can we have this unapologetic Blackness, and that just be part of the American cultural canon?”
The war against Africans intensifies, the puppets and stooges do as they are ordered, while others are satisfied with empty gestures. But the revolutionary path is unchanged, as Ajamu Baraka…
Last week I attended the Eritrean American Festival in the Seattle/Tacoma area, at the Tacoma Convention Center. This was the speech I would have given if the festival had not been disrupted by…
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This week’s featured scholars are Alex A. Moulton and Inge Salo. Moulton is an Assistant Professor at Hunter College. Salo is a PhD student in Geography at Clark University. Their article is “Black…
The migrant crisis in New York City is a multifaceted issue, rooted in a complex interplay of domestic and international politics and policies.
