The US film industry is more open to Black themes and participation than in the past, but still has not answered the question of what kind of society it will project, said Maryann Erigha, a professor of sociology and African American Studies at the University of Georgia, and author of the new book, “The Hollywood Jim Crow: Racial Politics of the Movie Industry.” “Is it a sanitized whiteness, is it a whitewashed vision, or can we have this unapologetic Blackness, and that just be part of the American cultural canon?”
Kenya’s poor were among the first to benefit from digital lending apps; now they call it slavery.
Jordan Peele’s “Us” depicts the terros face by Black mothers in a way that owes as much to Toni Morrison’s “Beloved” as it does to classic Hollywood horror.
The agent joked about how tasty Guatemalan migrants can be if they are properly “fried” through the use of Tasers.
Venezuelan Embassy Defenders Need Support
New York’s feeble slap on the wrist for Eric Garner’s murderer-in-blue is yet more proof that US policing cannot be reformed.
