The US film industry is more open to Black themes and participation than in the past, but still has not answered the question of what kind of society it will project, said Maryann Erigha, a professor of sociology and African American Studies at the University of Georgia, and author of the new book, “The Hollywood Jim Crow: Racial Politics of the Movie Industry.” “Is it a sanitized whiteness, is it a whitewashed vision, or can we have this unapologetic Blackness, and that just be part of the American cultural canon?”
The country has been in a state of almost constant upheaval—or more accurately, “uprising”—for over a year.
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Clarence Thomas most often votes alongside other reactionaries on the High Court, but he may be guided by different reasoning.
It is necessary to learn how to measure the rate of exploitation so that we know precisely how much workers deliver into the total social wealth produced each year.
White America and white “Boer” South Africa share remarkably similar national mythologies. Let’s call them Amerikaners.
