The US film industry is more open to Black themes and participation than in the past, but still has not answered the question of what kind of society it will project, said Maryann Erigha, a professor of sociology and African American Studies at the University of Georgia, and author of the new book, “The Hollywood Jim Crow: Racial Politics of the Movie Industry.” “Is it a sanitized whiteness, is it a whitewashed vision, or can we have this unapologetic Blackness, and that just be part of the American cultural canon?”
This novel puts the “too often secreted issues of intraracial classism and colorism” up front and center, along with Black cop contradictions and color-coded witnesses.
How can a union tolerate three or four different “tiers” of workers, with different pay scales and rights, and then call for “solidarity”?
The same jihadist head-choppers that the US deployed against Syria are now fighting alongside Turkey to occupy the northeast of the country.
Frank Chapman’s book should be on the shelf with the Autobiography of Malcolm X and Soledad Brother.
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