The US film industry is more open to Black themes and participation than in the past, but still has not answered the question of what kind of society it will project, said Maryann Erigha, a professor of sociology and African American Studies at the University of Georgia, and author of the new book, “The Hollywood Jim Crow: Racial Politics of the Movie Industry.” “Is it a sanitized whiteness, is it a whitewashed vision, or can we have this unapologetic Blackness, and that just be part of the American cultural canon?”
This week readers discussed the Bloomberg campaign.
The author provides a “queer” perspective on African identities, politics and economies.
The roots of racial differences have to do with the past treatment of enslaved people in the North as well as the South.
The law is a shaky foundation to rest on, particularly for Black people and other marginalized communities.
Could it be that electability, as applied to Biden, is some form of racial dog whistle?
