The Supremes
Mary was mysterious,
but the best dancer
Diana, the magnetic,
cooing romancer—
But, here’s a secret I know:
cats like me dug Miss Flo—
And the 4th Supreme’s ‘fro!
The 4th Supreme came
Singing tones ‘tween
Douglass and Carmen McRae—
Malcolm X and Lady Day
The 4th Supreme came
Singing “Stop In The Name Of Love!”
by way of Brandeis/Bombing-ham—
hitting Dynamite Hill high notes
The 4th Supreme came
Singing “Reflections”
in silver bracelets, on a
Newsweek cover captioned:
“Red, Black and Wanted!”
Hoover hated her harmonies with millions…
But I heard, “Set me free, why don’t you, babe?”
Rocking me to “ …Try Something New:”
Dialectics…
The 4th Supreme came
Singing, “I Hear A Symphony—”
“No Matter What Sign You Are,”
in ’08—but I
forgive her and comrades
and friends for singing flat
Madison Avenue smash hits: “Yes,
we can and bottle Jim Jones Juice;”
“regime Change you can believe in—”
delivering “Nothing But Heartaches” to
Honduras, Libya, Syria, Mother Africa…
© 2018. Raymond Nat Turner, The Town Crier. All Rights Reserved.
Raymond Nat Turner, our poet in residence, is an accomplished performing artist. You can find much more of his work at http://upsurgejazz.com.
The phrase racial capitalism first emerged in the context of the anti-Apartheid and southern African liberation struggles in the 1970s.
The theory of change that depicts the likes of Bernie Sanders and AOC as the leaders of the class struggle has failed to materialize in reality.
Cut plastic cuffs from imaginations— Dream larger in dire situations… IMAGINE every cook governing— every governor cooking up people puzzles—right livelihood alchemy…
It is critical that the Black left understand U.S./European imperialism as a race project, and organize accordingly.
As head of USAID, Power will be in perfect position to wield foreign aid as a cudgel for beating foreign heads of state till they bow to US empire, writes Ann Garrison.
